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#Bob dylan blonde on blonde album meaning full
How True Is 'Respect'? Fact-Checking the Aretha Franklin Biopicīlonde on Blonde is full of that “not around” chill – Dylan mixes up the Texas medicine and the railroad gin for a whole album of high-lonesome late-night dread, blues hallucinations and his bitchiest wit. “I don’t consider myself outside of anything,” Dylan said when the album came out. Released on May 16th, 1966, Blonde on Blonde remains the pinnacle of Dylan’s genius – he never sounded lonelier than in “Visions of Johanna,” funnier than in “I Want You,” more desperate than in “Stuck Inside of Mobile With the Memphis Blues Again.” It’s his most expansive music, with nothing that resembles a folk song – just the rock & roll laments of a vanishing American, the doomed outsider who’s given up on ever belonging anywhere. Yet the glossy surface just makes the songs more haunting. Recorded fast with Nashville session cats who were used to grinding out country hits, Blonde on Blonde has a slick studio polish that makes it sound totally unlike any of his other albums, with sparkling piano frills and a soulful shitkicker groove. SUCK MY COCK IF YOU DON'T LIKE IT.Happy 50th birthday to Blonde on Blonde, the most mysterious, majestic and seductive of Bob Dylan albums – not to mention the greatest. It may not have the one spectral stand alone song that Highway 61 or the Freewheelin' Bob Dylan offered, but the album itself is a piece of art, a brilliant artifact, it's whole is better than the parts, much like the Stone's Exile On Main Street. It opens with the Salvation Army salvo of Rainy Day Women # 12 & 35, and ends with Sad Eyed Lady Of The Lowlands, the lengthy ode to Dylan's wife, Sara. That wild, thin mercury sound is how Dylan himself described the sound on this album, and no other description could fit better. This album is the ideal Dylan record, a sprawling epic masterpiece loaded with acoustic jangling guitar chords intertwined in dew drop webs of organ synth weaving along with a simplistic bass line, all while Dylan, in his elegantly repugnant nasal sarcasm speaks words of a prophecy. The dent he made in popular music was so severe, not even everyone's critical darling that is the Beatles Sgt.
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Most thought that Highway 61 with the anthematic Like A Rolling Stone, was Dylan's peak, however, with Blonde On Blonde, Dylan finally climaxed with such sonic orgasmic force, he broke down all barriers in music forever. Dylan is arguably the greatest songwriter of all time, and this album, released in 1966, is his lyrics at their most surreal and ambiguous.īlonde On Blonde is the last of the so-called Electric Trilogy, the first being Bringing It All Back Home, and second being Highway 61 Revisited, both garnished in critical acclaim were churned out in rapid sucession in the year of 1965. This is one of the finest recordings ever by anybody, ranking #9 on Rolling Stone's list of the 500 Greatest Albums Of All Time.īob Dylan was America's response to The Beatles, and in all honesty, the only musical figure who can compare to the Fab Four.
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Blonde On Blonde is not only Dylan's greatest album, it is the apex of popular music, channeling the greatest of blues, folk, & country lineage, thus culminating into a magnificent brew of American music.